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Bates & Bjorndahl. Appreciation For Letters. Exhibition in Paris.
Bates and Niels Bjorndahl first met in 1984 when the graffiti scene was still in its infancy in Denmark.
They became fast friends and ran together thru 1986 when Bjorndahl was forced to put an end to his
graffiti career due to numerous run-ins with the local authorities.
Bjorndahl then changed his focus to abstract art while Bates continued on with graffiti. -
Japanese lights
Reflections and lights – Rinko Kawauchi’s photographs captures airy light phenomenons
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To sit down
Bench variations – Jeppe Hein examines the concept of a bench
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Light spectrum
Lightrays and their tactile interaction
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Monochromatic colours
Feeling blue…?
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Frank Miller. The Godfather of black and white.
Frank Miller, one of my big heroes. I can’t think of anyone else who has mastered the art of graphic art with as few tools as him.
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Fire walk with me
Mountains, trees and landscapes on fire
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Global warming results in flooded McDonalds?
Superflex offers it’s perspective on climate change…
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Foggy finish guy
Heavy-smoking or just foggy?
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‘Off the Wall’ at Lauritz.com, Carlsberg, Copenhagen
As as follow-up to the our exhibition ‘Streets of Copenhagen – street art meets graffiti’, we’ve joined up with the auction house Lauritz.com and put together a new show / auction, which kicks off tomorrow with a massive vernissage and ends up end of next week.
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Slicing skills
Patience, detail and steady hands
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En verden er kommet til verden inde i verden – uddrag af Inger Christensens “Det”
Und dig selv 10 minutters flugt fra virkeligheden og læs uddraget af Inger Christensens digtsamling “Det”. Efter hendes død beklagede den internationale presse at hun ikke havde modtaget en nobelpris for sine værker. Måske vil du om lidt forstå hvorfor.
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I <3 my pony!
Belgiske Berlinde De Bruyckeres bizarre verden når det er bedst.
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Un chien Andalou
An andalusian dog – a scary peepshow into the minds of Salvador and Luis
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Ai Xuan. Chinese Poetry On Canvas.
It’s pure poetry on canvas. The solitude or despair or whatever it may be, is always present in Ai Xuan’s works. It would be very hard to call it a political statement or critisism on the society he lives in, as subtle as it is, but the portrayed characters definitely do not look like happy campers in my eyes.